Her influence extends far beyond the walls of the Pinacoteca di Brera, where she serves as director from 1940 to 1957, connecting the worlds of art, design and fashion.
During the dark era of Nazism, Wittgens does not hesitate to risk her own life to protect both artworks and persecuted people. Thanks to her position as director of the Pinacoteca di Brera, she manages to hide masterpieces by artists such as Raffaello and Tiziano within the museum’s walls, saving them from Nazi looting.