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After graduating in architecture, he begins his career working at Gio Ponti's studio and in 1962 joins Milan’s Polytechnic University as chair of Interiors Architecture, Furniture and Decoration.
He is known as an “integral designer”, meaning that design is both based on attention to its details and on the functionality required by its owner.
His theory discards the division between exterior and interior. In his works, the focus is not so much on spaces and objects themselves, but on their relationship with each other.
The architect develops an innovative modular structure that acts both as a external showcase and as an internal display tool, optimizing space and redefining the traditional boundaries between closed and open environments.
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